Boaz Vaadia, Ammi'el & Amaryahu (#52); edition 2/5, 1999
Bronze, Bluestone and Boulder, 70 x 100 x 72 in.
Boaz Vaadia’s Ammi'el & Amaryahu (#52) (1999) is a monumental figurative sculpture that embodies the artist’s signature technique of layering natural materials to create forms deeply rooted in the earth. Measuring 70 x 100 x 72 inches and crafted from bronze, bluestone, and boulders, this editioned work (2/5) exudes a timeless connection between humanity and nature. The two figures, sculpted with Vaadia’s iconic stacked stone aesthetic, convey a quiet yet powerful presence, evoking a sense of stability, reflection, and unity. Sponder Gallery is proud to present Ammi'el & Amaryahu (#52), an extraordinary example of Vaadia’s mastery in sculpting with raw materials. His works are widely exhibited and collected, with installations in major museums, including the Metropolitan Museum of Art, the Brooklyn Museum, and the Bass Museum of Art. Collectors and sculpture enthusiasts searching for Boaz Vaadia artwork for sale, bronze and bluestone sculptures, large-scale contemporary figurative sculptures, and public art installations will find Ammi'el & Amaryahu (#52) to be a striking and timeless addition to any collection. Boaz Vaadia, Boaz Vaadia art for sale, Boaz Vaadia sculptures, contemporary stone sculptures, figurative bronze sculptures, large-scale stone sculptures, limited edition sculptures, bluestone and bronze sculptures, natural material sculptures, Sponder Gallery, modern art gallery, monumental abstract sculptures, fine art collection, investment art, high-end contemporary art, stacked stone figures, public art sculptures, minimalist figurative sculpture, ancient-inspired contemporary art.
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Boaz Vaadia’s Ammi'el & Amaryahu (#52) (1999) is a monumental dual-figure sculpture that seamlessly merges ancient stone-stacking traditions with modern abstraction. This editioned piece, composed of bronze, bluestone, and natural boulders, creates a powerful dialogue between materiality, form, and presence.
The two figures—one seated, one standing—exude a meditative stillness, inviting viewers to reflect on human relationships, resilience, and harmony with nature. Ammi'el & Amaryahu (#52) is an exceptional example of Vaadia’s ability to transform raw materials into timeless sculptural works that evoke both ancient and contemporary sensibilities.
Boaz Vaadia (1951–2017) was an internationally celebrated sculptor known for his innovative use of natural materials. Drawing inspiration from ancient stone-stacking techniques, he created powerful figurative sculptures that feel deeply rooted in history yet strikingly modern. His works are included in major public and private collections, including the Metropolitan Museum of Art, the Brooklyn Museum, and the Bass Museum of Art.
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Bill Barrett, Equus, 2000
Fabricated Bronze, 60 x 57 x 57 in.
(formerly titled: Aladdin)
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Stanley Boxer (Estate), Curtclusteroffallpassage, 1980
Mixed media on canvas, 17 x 64 in.
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Jonathan Prince, Alembic Cube (study 1), 2016
CorTen and High Chromium Stainless Steel, 16 x 16 x 16 in.
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Mr. Brainwash, Juxtapose, 2020
silkscreen with mixed media on paper, 20 x 30 in. paper (28.75 x 36.75 inches framed)
"Juxtapose" by Mr. Brainwash, a 20 x 30 inch silkscreen with mixed media on paper, combines iconic imagery and street art aesthetics to create a visually compelling statement about love, optimism, and cultural icons. Featuring figures like Charlie Chaplin holding a paint roller and Albert Einstein holding a "Love is the Answer" sign, this artwork bursts with vibrant colors, graffiti-style layers, and symbols of pop culture, including references to Keith Haring and Mickey Mouse. The large pink heart in the background unifies the composition, representing themes of creativity, positivity, and social commentary. This dynamic piece embodies Mr. Brainwash’s signature blend of satire and hope, making it a must-see for collectors and enthusiasts of contemporary street art
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In Juxtapose, Mr. Brainwash creates a dynamic fusion of street art, pop culture, and symbolic optimism. This silkscreen artwork with mixed media layers features two instantly recognizable figures: Charlie Chaplin, the iconic comedic actor known for bringing laughter during difficult times, and Albert Einstein, the legendary physicist and thinker. Chaplin is depicted holding a paint roller as if he has just contributed to the vibrant graffiti-filled background, while Einstein proudly holds a sign that reads, "Love is the Answer." The central pink heart behind them serves as a universal emblem of compassion, unity, and creativity.
The background is layered with colorful graffiti, including nods to Keith Haring’s bold lines, inspirational quotes like "Follow Your Dreams", and playful imagery like Mickey Mouse and a small dog with the word "Fragile" on its tag. These elements, characteristic of Mr. Brainwash’s signature style, seamlessly blend together to deliver a message about hope, resilience, and the interconnectedness of art and culture.
Peter Halley, Black on Black; ed. 32/50, 1999
4-color silkscreen with diamond dust, 34 x 45 inch paper, (41 x 52 inches framed + $1,200 frame)
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Jun Kaneko, Untitled, 2002
Oil stick and ink on Korean Rice Paper, 66 x 55 1/2 in. paper, 74 x 63 in. framed
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Alex Katz, Big Smile; edition 24/100, 2021
Archival pigment ink on Innova Etching Cotton Rag 315 gsm fine art paper, 35 x 70 in.
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Takashi Murakami, Takashi Murakami for BLM: Black Flowers Square; edition of 300, 2020
Silkscreen in colors with hand embellishments on papoer, 27.5 x 27.5 inches (paper)
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Larry Rivers, Homage to Picasso, 1994
Silkscreen, 26.5 x 30 in. paper, 36.25 x 40.5 in. frame, PP 4/4
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Larry Rivers, Culture Box - Norman Mailer; edition 13/25, 1992
Aluminum, 24 x 24 x 6 in.
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Larry Rivers, Culture Box - Opera Divas; edition 13/25, 1992
Aluminum, 24 x 24 x 6 in.
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Larry Rivers, Culture Box - Willem de Kooning; edition 13/25, 1992
Aluminum, 24 x 24 x 6 in.
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Larry Rivers, Culture Box - wood box cover - Self Portrait, 1992
wood, 25 x 25 x 2 in.
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Gilberto Ruiz, Untitled, ca, 1985
oil stick on paper, three panels at 30 x 96 inches each
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Kenny Scharf, Big Flores Blue; edition 19/19, 2021
Archival pigment ink print with silkscreened high gloss varnish and diamond dust on Innova Etching Cotton Rag 315 gsm fine art paper, 53 x 42.5 inches (paper) /
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Kenny Scharf, Big Flores Yellow; edition 19/19, 2021
Archival pigment ink print with silkscreened high gloss varnish and diamond dust on Innova Etching Cotton Rag 315 gsm fine art paper, 53 x 42.5 inches (paper) /
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Kenny Scharf, Big Flores Green; edition 19/19, 2021
Archival pigment ink print with silkscreened high gloss varnish and diamond dust on Innova Etching Cotton Rag 315 gsm fine art paper, 53 x 42.5 inches (paper) /
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Kenny Scharf, Furungle (Blue); edition HC 2/6, 2021
Archival pigment ink print with silkscreened high gloss varnish and diamond dust on Innova Etching Cotton Rag 315 gsm fine art paper, 42 x 42 inches (paper) / 46 x 46 inches framed (+$1,000 frame)
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Donald Sultan, LANTERN FLOWERS, BLACK AND GRAY, OCT 4, 2017; edition 11/30, 2017
Silkscreen with enamel inks and flocking on 4-ply museum board, 58 x 58 inch paper, (63.5 x 63.5 inches framed + $1,900) approx.
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Donald Sultan, LANTERN FLOWERS, BLACK AND WHITE, OCT 4, 2017; edition 11/30, 2017
Silkscreen with enamel inks and flocking on 4-ply museum board, 58 x 58 inch paper, (62 3/4 x 62 3/4 inches framed + $1,900) approx.
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Ernest Trova, Roha Issa, 1960
Oil on Canvas, Diptych - each panel measures 49 x 37 inches
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