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Sponder Gallery is pleased to share that the work of gallery artist Jill Hotchkiss is now on view at UCI Health in Irvine, California. Four works on paper are now part of the hospitals collection that encompases over 300 commissioned artworks.

Where Art Supports Healing

“A good picture is equivalent to a good deed,” Vincent Van Gogh said. If that’s true, three new buildings at UCI Health — Irvine are providing expansive benefits through their thoughtfully curated art collection.

Research is clear about art’s ability to reduce stress, enhance moods and lessen symptoms of chronic disease. So what better canvas for calming motifs than a hospital designed and built with the goal of improving the health and well-being of those who enter?

“When we set out to build the UCI Health — Irvine complex, we wanted an arts program that leverages the amazing artist community across OC and California as an integral part of the early design and part of the healing environment itself,” says Chad Lefteris, president and CEO of UCI Health.

With 300 commissioned pieces and 1,300 reproductions, the highly local display was a considerable undertaking that took about two years. James Irvine Swinden, former president of The Irvine Museum and son of Joan Irvine Smith, a longtime UC Irvine supporter, was tapped to chair a selection committee of nearly a dozen people, including local artists, design experts, philanthropists and other UCI Health co-workers.

Unexpected Angles

“A kitchen no longer needs to start with what’s required, but rather with what’s

possible,” says Boca Raton–based designer Leanne Yarn-Alcalay of Yarn Design

Associates. “I was inspired to create a gathering space that functions like a kitchen

but doesn’t feel like one.” The room’s pièce de résistance—an avant-garde triangular

island—breaks with convention.

Fall 2025 Issue

Harry Benson reflects on his decades long careed and an exhibition of his ledendary portraits in Boca Raton.

Dolly Parton putting on her makeup. The Beatles pillow fighting at Georges V in Paris. Princess Diana crouching down to smile at a curly haired little girl. These are but a few of the iconic images taken by Harry Benson, the Scottish born photographer with a flair for capturing celebrities and politicians in their element, and some of the most pivotal moments in history. They are also among the shots on display at The Boca Raton resort until spring 2026 as part of the exhibition Harry Benson: Royalty, Rebels, and Rock stars, presented by Sponder Gallery. “Both my wife, Gigi, and I are very pleased to be represented by Sponder Gallery,” Benson says. “The exhibition in Boca Raton is very unique, very different from a regular gallery presentation. It's more like sitting in a friend's living room surrounded by favorite photographs of interesting people.”

For over 15 years, Sponder Gallery has had the privilege of bringing exceptional art into extraordinary places, from The Boca Raton to Waterstone Resort and Marina, and now, the W Fort Lauderdale. Each partnership shares the same concept: to create spaces where world-class art lives alongside world-class experiences. The W Fort Lauderdale offers something unique. It's modern architecture, coastal light, and vibrant energy make it the perfect platform for the blue chip and contemporary works we represent.  We've brought together a mix that reflects our curatorial vision of esteemed estates, established voices, and bold emerging talents. Each work is placed with intention, creating moments of beauty, surprise, and conversation in every corner of the property.  

An Iconographer of the 20th Century at The Boca Raton

In the rarefied air of mid-century photography, few names hold the same resonance as Harry Benson. His lens is equal parts surgical and sympathetic. He has traced the contours of the 20th and 21st centuries with a precision unmatched by most of his contemporaries. Now, in Harry Benson: Royalty, Rebels, and Rockstars (opening April 17, 2025), Sponder Gallery offers a revelatory selection of Benson’s most iconic and intimate black-and-white photographs, exhibited in the chic and storied interiors of The Boca Raton’s Sadelle’s Living Room | Harborside.

The exhibition, on view through Spring 2026, is more than a celebration of Benson’s career; it is a visual anthropology of power, intimacy, and transformation. Each photograph here is not merely a record of a cultural icon but a rupture in time; an era-moment-glance where the mythos of celebrity, politics, and personal ritual converge.

Born in Glasgow, Scotland in 1929, Benson came of age during an era when photojournalism was not just reportage, it was more of a cultural authorship. His early training at the Daily Sketch prepared him for the unflinching speed and ethical ambiguities of documentary photography. But it was his 1964 assignment to photograph The Beatles in Paris (and later, on their first U.S. tour) that skyrocketed him into the stratosphere of visual history. The infamous "pillow fight" photo taken at the George V Hotel marked a new form of candid celebrity photography: playful, immediate, and deeply human.

As LA's newest landmark, Intuit Dome is collaborating with renowned artists and adding their creative vision to its state-of-the-art arena. The Intuit Dome Public Art Program features the work of artists in a wide-ranging display of photography, paintings, sculptures, mixed media, and more. Artists include Catherine Opie, Jonas Wood, Jennifer Steinkamp, and Kx2 among others.

This March, Sponder Gallery is making an unprecedented move, showcasing the work of internationally renowned artist Alex Katz in two concurrent locations—a testament to both the gallery’s influence and Katz’s enduring legacy in contemporary art. The two major exhibitions, one at The Boca Raton Tower at The Boca Raton resort and the other at the Ann Norton Sculpture Gardens, will highlight the artist’s signature minimalist aesthetic. 

At its most potent, contemporary art functions as both an aesthetic investigation and an ontological inquiry; one that negotiates the boundaries between materiality and meaning, between the tangible and the metaphysical. In this tension lies the core of artistic practice: the act of constructing, deconstructing, and recontextualizing form to articulate new modes of perception. Sponder Gallery’s presentation at Palm Beach Modern + Contemporary exemplifies this dialectic, assembling a diverse group of artists whose practices explore the fluid interplay between abstraction and figuration, between formalist purity and conceptual rigor.

Through a synthesis of gesture, structure, and medium, these works collectively interrogate the aesthetic, social, and philosophical conditions of contemporary visual culture. From the gestural, Abstract Expressionist dynamism of Dan Christensen’s Red Riser (1991) to the spatial complexity of Max-Steven Grossman’s photographic bookscape compositions, the exhibition resists monolithic interpretations of contemporary practice, instead embracing an expanded field of artistic production that acknowledges historical legacies while challenging their limitations.

One of the defining features of this curatorial selection is its engagement with process and materiality as vehicles for expression. Gabriele Evertz’s There Will Be Singing (2017) and Doug Argue’s Untitled (2024) operate within distinct yet complementary systems of abstraction: while Evertz's chromatic linear structures adhere to a systematic logic of optical interaction, Argue’s layered arrangements of fish forms evoke an aleatory complexity reminiscent of linguistic patterning. These works, alongside Holton Rower’s poured compositions (1 AP 22 C, 2024), position painting as a space of both control and contingency, where chance and precision become inextricably linked.

Harold Garde (1923–2021) stands among the most significant post-war American painters, forging an artistic language that reflects a profound engagement with the ideas of Abstract Expressionism, Surrealism, and Constructivism. Born in New York and shaped by the turbulent climate of the World War II era—he served as a soldier before studying art under the G.I. Bill, Garde came of age in the immediate aftermath of the war, immersing himself in a milieu that privileged spontaneity, process, and a reimagining of form. 

Under the tutelage of pioneering figures such as George McNeil, a protégé of Hans Hofmann, and Ilya Bolotowsky, a leading voice in Russian Constructivism, Garde was exposed early on to both painterly gesture and structural rigor, elements that he sustained and enriched over more than seven decades of production.

In the dynamic world of luxury hospitality, the newly transformed Beach Club at the Boca Raton stands as a symbol of refined sophistication and cultural depth. Set against Florida’s famous Gold Coast, this iconic destination has not only elevated opulent leisure but also serves as a platform for contemporary artistic expression. At the core of this transformation is a thoughtfully curated art exhibition, "Tides & Textures", presented by Sponder Gallery, a Boca Raton institution celebrated for its discerning selection and dedication to visual excellence.