C Dutch | Etheralis | 2026 | Sponder Gallery

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Josef Albers, Homage to the Square: Portfolio 2 Folder 27; from Formulation Articulation; edition 238/1000, 1972

screenprint on Mohawk Superfine Bristol paper, 15 x 40 inches (paper) / 17 x 42 inches (framed)

00061

2 / 26

Harry Benson, Dolly Parton, Nashville, edition 16/35, 1976

Archival Pigment Photograph, 22 x 17 inches / 30 3/4 x 25 3/4 inches framed (+$250 frame)

“Dolly Parton makes everyone feel right at home with a down-home welcome when she meets you. She was getting ready for me to photograph her. I walked over to ask when she would be ready and saw her standing near a window, putting on the finishing touches of her make-up. I said, “Dolly, don’t move, just keep doing what you are doing,” and she obliged. It was a completely natural picture, no lights were set up, yet it was the one I liked best from that day.” – Harry Benson

BENS00007

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Harry Benson, Beatles Composing Times Three, Vertical; edition3/20, 1964

Infused Dye Sublimated on Aluminum, 60 x 25 inches / 62 x 27 inches framed (+$1,000 frame)

BENS00103

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Stanley Boxer (Estate), Blanchedcrustingspringentrance, 1981

Mixed media on canvas, 80 x 22 in.

BOXE0144

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C Dutch, Etheralis, 2026

Mixed Media on Lucite Box, 26 x 26 in.

DUTC00017

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C Dutch, Resonate, 2026

Mixed Media on Lucite Box, 32 x 32 in.

DUTC00018

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C Dutch, Chroma A and B, 2025

Mixed Media in Lucite Box, 72 x 16 inches each panel

DUTC00009

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Lynn Chadwick, Sitting Woman in Robes II (C53); edition 2/9, 1987

Bronze, 9 1/2 x 13 1/4 x 10 1/2 in.

Monumental in posture, despite the sculpture's modest scale, and rendered with Chadwick's signature geometric clarity, the figure is composed of angular faceted planes and a sharply pyramidal head that abstracts the human form. Draped in rigid architectural robes that flow over a stepped base, the robes become part of the sculpture's structure, anchoring the figure in place while offering a rhythmic texture that contrasts with the sharp precision of the triangular head and shoulders. The contrast between fluidity and geometry speaks to Chadwick's mastery of balance between human softness and architectural form.

CHAD00056

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Dan Christensen (Estate), Untitled 391M9, 1991

Acrylic on canvas, 60 x 30 in.

CHRI00097

10 / 26

Gabriel Delgado, My Hands Move Like Whispers Over Your Curves

, 2024

Mixed Media, graphite, chalk, acrylic paint on stretched canvas., 36 x 48 in.

DELG00010

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Max-Steven Grossman, Art ZE; edition 2/5, 2026

diasec mounted photo, 37 x 75 in.

GROSS01120

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Max-Steven Grossman, Rock EG; edition 3/5, 2026

diasec mounted photo, 37 x 75 in.

GROSS01119

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Max-Steven Grossman, Israel SQ WB; edition of 5 + 2 AP, 2024

diasec mounted photo, 48 x 53 in.

GROSS00914

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Max-Steven Grossman, Golf V; edition 4/5, 2020

diasec mounted photo, 75 x 39 in.

GROSS01099

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Paul Jenkins, Phenomena Mirror Mirror, c. 1984

Watercolor on paper, 43 x 31 inches / 47 x 35 inches framed

JENK00008

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Alex Katz, Springtime Couples (Triptych); edition of 30, 2026

Silkscreen on Saunders Waterford High White HP 425 gsm paper, (1) and (3) 42 x 30 inches / (2) 42 x 26 inches

KATZ00215

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Alex Katz, Ada Four Times #1-4; edition 5/120, 1979-1980

Lithograph and screenprint on Arches Cover Paper, 30 x 22.5 inches (paper) / 40.5 x 32.75 inches (framed) each

KATZ00201

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Kx2 Ruth Avra & Dana Kleinman, Sand Key, 2026

soft gold powder-coated repurposed industrial pipe with acrylic and mixed media on wood, 10 1/2 x 72 1/2 in.

Kx200091

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Kx2 Ruth Avra & Dana Kleinman, Summer Echo - 21 elements, 2026

Stainless steel with mixed media, dimensions variable - each element has 6.5 inch diameter

Kx200097

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Kx2 Ruth Avra & Dana Kleinman, Kolga, 2024

Repurposed industrial pipe with acrylic on wood, dimensions variable - each element measures 10.5 inches

Kx200082

Donald Martiny, Waccamaw, ca. 2018
polymer and pigment on aluminum, 51 x 74 in.
Donald Martiny’s Waccamaw (ca. 2018) is an exceptional example of his signature gestural abstraction, where movement, texture, and color merge into a sculptural form. Measuring 51 x 74 inches, this large-scale painting, created with polymer and pigment on aluminum, showcases Martiny’s ability to break free from traditional canvas constraints. The striking ultramarine blue brushstrokes highlight the raw energy of his process, embodying a sense of fluidity and spontaneity.

Sponder Gallery is proud to present Waccamaw, a testament to Martiny’s commitment to pushing the boundaries of contemporary abstraction. His works, which challenge the intersection of painting and sculpture, are held in major collections, including installations at One World Trade Center in New York.

Collectors and contemporary art enthusiasts looking for Donald Martiny artwork for sale, abstract sculptural paintings, gestural abstraction art, and large-scale contemporary paintings will find Waccamaw to be an extraordinary addition to any space or collection.

Donald Martiny, Donald Martiny art for sale, Donald Martiny paintings, contemporary abstract art, gestural abstraction, sculptural paintings, polymer and pigment paintings, aluminum paintings, Sponder Gallery, modern art gallery, large-scale abstract art, fine art collection, investment art, high-end contemporary art, textured abstract painting, avant-garde abstract painting, fluid brushstroke painting, contemporary expressionism.
MART00132

Donald Martiny Waccamaw (2018), a large-scale abstract sculptural painting with bold ultramarine brushstrokes, created with polymer and pigment on aluminum. This expressive, textured artwork showcases movement and fluidity, available at Sponder Gallery.

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Donald Martiny, Waccamaw, ca. 2018

polymer and pigment on aluminum, 51 x 74 in.

Donald Martiny’s Waccamaw (ca. 2018) is an exceptional example of his signature gestural abstraction, where movement, texture, and color merge into a sculptural form. Measuring 51 x 74 inches, this large-scale painting, created with polymer and pigment on aluminum, showcases Martiny’s ability to break free from traditional canvas constraints. The striking ultramarine blue brushstrokes highlight the raw energy of his process, embodying a sense of fluidity and spontaneity. Sponder Gallery is proud to present Waccamaw, a testament to Martiny’s commitment to pushing the boundaries of contemporary abstraction. His works, which challenge the intersection of painting and sculpture, are held in major collections, including installations at One World Trade Center in New York. Collectors and contemporary art enthusiasts looking for Donald Martiny artwork for sale, abstract sculptural paintings, gestural abstraction art, and large-scale contemporary paintings will find Waccamaw to be an extraordinary addition to any space or collection. Donald Martiny, Donald Martiny art for sale, Donald Martiny paintings, contemporary abstract art, gestural abstraction, sculptural paintings, polymer and pigment paintings, aluminum paintings, Sponder Gallery, modern art gallery, large-scale abstract art, fine art collection, investment art, high-end contemporary art, textured abstract painting, avant-garde abstract painting, fluid brushstroke painting, contemporary expressionism.

MART00132

Artwork Details

Artist: Donald Martiny
Title: Waccamaw
Year: ca. 2018
Medium: Polymer and pigment on aluminum
Dimensions: 51 x 74 in.
Availability: Available for acquisition through Sponder Gallery

About the Artwork

Donald Martiny’s Waccamaw (ca. 2018) is a bold and dynamic sculptural painting that exemplifies the artist’s innovative approach to gestural abstraction. This 51 x 74-inch artwork, executed in polymer and pigment on aluminum, is dominated by a striking ultramarine blue palette, emphasizing texture, movement, and expressive freedom. By removing the traditional canvas, Martiny allows the brushstroke to become an autonomous sculptural form, creating an immersive experience for viewers.

The sweeping motion of Waccamaw conveys both control and spontaneity, transforming space with its fluid energy. This work is a prime example of Martiny’s celebrated technique, which has been widely exhibited and collected by prestigious institutions and private collectors worldwide.

About the Artist

Donald Martiny is a leading contemporary artist known for his large-scale sculptural paintings that redefine the boundaries of traditional abstraction. His works are included in prominent collections and installations, including One World Trade Center in New York. Through his use of polymer and pigment on aluminum, Martiny captures the essence of movement and energy, making his artworks highly sought after in the contemporary art world.

Why Collect This Work?

Innovative Sculptural Painting: Waccamaw merges painting and sculpture, offering a unique and dynamic visual experience.
Museum-Quality Art: Donald Martiny’s works are featured in prestigious collections and international exhibitions.
Expressive & Impactful: The bold ultramarine brushstrokes and sweeping composition make this artwork a statement piece in any space.

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James Austin Murray, Steely Glint, 2020

Oil on board, 48 x 48 in.

MURR00029

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Larry Poons, Lambs Progress, 1984

acrylic and sponge on canvas, 33 x 30 in.

POON00010

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Donald Sultan, Blue Poppies Horizontal; edition of 25, 2026

Shaped aluminum with acrylic polyurethane paint and stainless steel centers mounted on stainless steel base, 20 x 34 x 3 1/2 in.

SULT00204

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Tigran Tsitoghdzyan, Mirror II, 2023

Mixed media, 50 x 35 inch paper, 58 x 43.5 inches frame (+$1,650 frame)

TSIT00063

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Boaz Vaadia, Oded 2nd; (#143), edition 7/7, 2016

Bronze, Bluestone and Boulder, 11 x 21 x 15 in.

Boaz Vaadia’s Oded 2nd (#143) (2016) is a masterful bronze, bluestone, and boulder sculpture that exemplifies the artist’s signature stacked stone technique. This editioned work (7/7) measures 11 x 21 x 15 inches and features a reclining human figure resting against a natural boulder, symbolizing tranquility, resilience, and the organic connection between humanity and nature. Vaadia’s meticulous use of layered materials gives Oded 2nd (#143) a geological quality, resembling stratified rock formations that have withstood time. The harmonious balance between the figure and the stone reinforces themes of meditation, stability, and the enduring presence of nature in human existence. Vaadia’s sculptures are housed in prestigious museum collections, including the Metropolitan Museum of Art, the Brooklyn Museum, and the Bass Museum of Art. Collectors searching for Boaz Vaadia artwork for sale, bronze and bluestone sculptures, stacked stone contemporary art, and minimalist figurative sculptures will find Oded 2nd (#143) to be a significant and collectible work of art. Boaz Vaadia, Boaz Vaadia sculptures, Boaz Vaadia art for sale, contemporary stone sculptures, bronze and bluestone sculptures, stacked stone figurative sculptures, modern figurative sculpture, Sponder Gallery, fine art collection, investment art, high-end contemporary art, meditative contemporary sculpture, minimalist contemporary art, outdoor bronze sculptures, small-scale contemporary sculpture, reclining figure sculpture, stacked stone abstraction, natural material contemporary sculpture.

VAAD00183

Artwork Details

Artist: Boaz Vaadia
Title: Oded 2nd (#143)
Year: 2016
Edition: 7/7
Medium: Bronze, Bluestone, and Boulder
Dimensions: 11 x 21 x 15 in.
Availability: Available for acquisition through Sponder Gallery

About the Artwork

Boaz Vaadia’s Oded 2nd (#143) (2016) is a compelling figurative sculpture that captures the essence of peaceful repose. The reclining figure, composed of stacked bronze and bluestone layers, leans against a natural boulder, reinforcing Vaadia’s philosophy of integrating art with nature.

The organic formation of the figure, combined with the raw beauty of the materials, evokes a meditative stillness. The stacked stone elements create a dynamic yet stable visual effect, emphasizing the passage of time and the interconnectedness of human existence with the natural world.

This editioned work (7/7) is ideal for collectors of contemporary sculpture, figurative abstraction, and natural material aesthetics.

About the Artist

Boaz Vaadia (1951–2017) was an internationally recognized sculptor known for his innovative use of natural materials and distinctive stacked stone technique. His works are featured in major public and private collections, including the Metropolitan Museum of Art, the Brooklyn Museum, and the Bass Museum of Art.

Why Collect This Work?

Symbolic & Meditative: Oded 2nd (#143) conveys themes of rest, connection, and harmony with nature.
Museum-Quality Artwork: Vaadia’s sculptures are exhibited in major institutions worldwide.
Unique Material Composition: The fusion of bronze, bluestone, and natural boulder enhances the sculpture’s timeless aesthetic.

Boaz Vaadia, Boaz Vaadia art for sale, Boaz Vaadia sculptures, contemporary bronze sculptures, stacked stone figurative sculpture, modern abstract sculptures, public art installations, bronze and stone figurative sculpture, contemporary abstract sculpture, limited edition sculptures, Sponder Gallery, modern art gallery, fine art collection, investment art, high-end contemporary art, meditative contemporary sculpture, minimalist modern sculpture, contemporary figurative sculpture, reclining figure stone sculpture, natural material sculpture.