Josef Albers, Homage to the Square: Portfolio 2 Folder 27; from Formulation Articulation; edition 238/1000, 1972
screenprint on Mohawk Superfine Bristol paper, 15 x 40 inches (paper) / 17 x 42 inches (framed)
00061
Harry Benson, Dolly Parton, Nashville, edition 16/35, 1976
Archival Pigment Photograph, 22 x 17 inches / 30 3/4 x 25 3/4 inches framed (+$250 frame)
“Dolly Parton makes everyone feel right at home with a down-home welcome when she meets you. She was getting ready for me to photograph her. I walked over to ask when she would be ready and saw her standing near a window, putting on the finishing touches of her make-up. I said, “Dolly, don’t move, just keep doing what you are doing,” and she obliged. It was a completely natural picture, no lights were set up, yet it was the one I liked best from that day.” – Harry Benson
BENS00007
Harry Benson, Beatles Composing Times Three, Vertical; edition3/20, 1964
Infused Dye Sublimated on Aluminum, 60 x 25 inches / 62 x 27 inches framed (+$1,000 frame)
BENS00103
Stanley Boxer (Estate), Blanchedcrustingspringentrance, 1981
Mixed media on canvas, 80 x 22 in.
BOXE0144
Lynn Chadwick, Sitting Woman in Robes II (C53); edition 2/9, 1987
Bronze, 9 1/2 x 13 1/4 x 10 1/2 in.
Monumental in posture, despite the sculpture's modest scale, and rendered with Chadwick's signature geometric clarity, the figure is composed of angular faceted planes and a sharply pyramidal head that abstracts the human form. Draped in rigid architectural robes that flow over a stepped base, the robes become part of the sculpture's structure, anchoring the figure in place while offering a rhythmic texture that contrasts with the sharp precision of the triangular head and shoulders. The contrast between fluidity and geometry speaks to Chadwick's mastery of balance between human softness and architectural form.
CHAD00056
Gabriel Delgado, My Hands Move Like Whispers Over Your Curves
, 2024
Mixed Media, graphite, chalk, acrylic paint on stretched canvas., 36 x 48 in.
DELG00010
Max-Steven Grossman, Rock EG; edition 3/5, 2026
diasec mounted photo, 37 x 75 in.
GROSS01119
Max-Steven Grossman, Israel SQ WB; edition of 5 + 2 AP, 2024
diasec mounted photo, 48 x 53 in.
GROSS00914
Paul Jenkins, Phenomena Mirror Mirror, c. 1984
Watercolor on paper, 43 x 31 inches / 47 x 35 inches framed
JENK00008
Alex Katz, Springtime Couples (Triptych); edition of 30, 2026
Silkscreen on Saunders Waterford High White HP 425 gsm paper, (1) and (3) 42 x 30 inches / (2) 42 x 26 inches
KATZ00215
Alex Katz, Ada Four Times #1-4; edition 5/120, 1979-1980
Lithograph and screenprint on Arches Cover Paper, 30 x 22.5 inches (paper) / 40.5 x 32.75 inches (framed) each
KATZ00201
Kx2 Ruth Avra & Dana Kleinman, Sand Key, 2026
soft gold powder-coated repurposed industrial pipe with acrylic and mixed media on wood, 10 1/2 x 72 1/2 in.
Kx200091
Kx2 Ruth Avra & Dana Kleinman, Summer Echo - 21 elements, 2026
Stainless steel with mixed media, dimensions variable - each element has 6.5 inch diameter
Kx200097
Kx2 Ruth Avra & Dana Kleinman, Kolga, 2024
Repurposed industrial pipe with acrylic on wood, dimensions variable - each element measures 10.5 inches
Kx200082
Donald Martiny, Waccamaw, ca. 2018
polymer and pigment on aluminum, 51 x 74 in.
Donald Martiny’s Waccamaw (ca. 2018) is an exceptional example of his signature gestural abstraction, where movement, texture, and color merge into a sculptural form. Measuring 51 x 74 inches, this large-scale painting, created with polymer and pigment on aluminum, showcases Martiny’s ability to break free from traditional canvas constraints. The striking ultramarine blue brushstrokes highlight the raw energy of his process, embodying a sense of fluidity and spontaneity. Sponder Gallery is proud to present Waccamaw, a testament to Martiny’s commitment to pushing the boundaries of contemporary abstraction. His works, which challenge the intersection of painting and sculpture, are held in major collections, including installations at One World Trade Center in New York. Collectors and contemporary art enthusiasts looking for Donald Martiny artwork for sale, abstract sculptural paintings, gestural abstraction art, and large-scale contemporary paintings will find Waccamaw to be an extraordinary addition to any space or collection. Donald Martiny, Donald Martiny art for sale, Donald Martiny paintings, contemporary abstract art, gestural abstraction, sculptural paintings, polymer and pigment paintings, aluminum paintings, Sponder Gallery, modern art gallery, large-scale abstract art, fine art collection, investment art, high-end contemporary art, textured abstract painting, avant-garde abstract painting, fluid brushstroke painting, contemporary expressionism.
MART00132
Artwork Details
About the Artwork
Donald Martiny’s Waccamaw (ca. 2018) is a bold and dynamic sculptural painting that exemplifies the artist’s innovative approach to gestural abstraction. This 51 x 74-inch artwork, executed in polymer and pigment on aluminum, is dominated by a striking ultramarine blue palette, emphasizing texture, movement, and expressive freedom. By removing the traditional canvas, Martiny allows the brushstroke to become an autonomous sculptural form, creating an immersive experience for viewers.
The sweeping motion of Waccamaw conveys both control and spontaneity, transforming space with its fluid energy. This work is a prime example of Martiny’s celebrated technique, which has been widely exhibited and collected by prestigious institutions and private collectors worldwide.
About the Artist
Donald Martiny is a leading contemporary artist known for his large-scale sculptural paintings that redefine the boundaries of traditional abstraction. His works are included in prominent collections and installations, including One World Trade Center in New York. Through his use of polymer and pigment on aluminum, Martiny captures the essence of movement and energy, making his artworks highly sought after in the contemporary art world.
Why Collect This Work?
Donald Martiny, Donald Martiny art for sale, Donald Martiny abstract paintings, contemporary abstract art, sculptural paintings, polymer and pigment paintings, large-scale abstract paintings, aluminum paintings, modern expressionism, fine art collection, investment art, high-end contemporary art, bold brushstroke painting, avant-garde contemporary artists, Sponder Gallery, unique textured artwork, gestural abstraction, fluid contemporary painting, large-scale expressive art.
Donald Sultan, Blue Poppies Horizontal; edition of 25, 2026
Shaped aluminum with acrylic polyurethane paint and stainless steel centers mounted on stainless steel base, 20 x 34 x 3 1/2 in.
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Tigran Tsitoghdzyan, Mirror II, 2023
Mixed media, 50 x 35 inch paper, 58 x 43.5 inches frame (+$1,650 frame)
TSIT00063
Boaz Vaadia, Oded 2nd; (#143), edition 7/7, 2016
Bronze, Bluestone and Boulder, 11 x 21 x 15 in.
Boaz Vaadia’s Oded 2nd (#143) (2016) is a masterful bronze, bluestone, and boulder sculpture that exemplifies the artist’s signature stacked stone technique. This editioned work (7/7) measures 11 x 21 x 15 inches and features a reclining human figure resting against a natural boulder, symbolizing tranquility, resilience, and the organic connection between humanity and nature. Vaadia’s meticulous use of layered materials gives Oded 2nd (#143) a geological quality, resembling stratified rock formations that have withstood time. The harmonious balance between the figure and the stone reinforces themes of meditation, stability, and the enduring presence of nature in human existence. Vaadia’s sculptures are housed in prestigious museum collections, including the Metropolitan Museum of Art, the Brooklyn Museum, and the Bass Museum of Art. Collectors searching for Boaz Vaadia artwork for sale, bronze and bluestone sculptures, stacked stone contemporary art, and minimalist figurative sculptures will find Oded 2nd (#143) to be a significant and collectible work of art. Boaz Vaadia, Boaz Vaadia sculptures, Boaz Vaadia art for sale, contemporary stone sculptures, bronze and bluestone sculptures, stacked stone figurative sculptures, modern figurative sculpture, Sponder Gallery, fine art collection, investment art, high-end contemporary art, meditative contemporary sculpture, minimalist contemporary art, outdoor bronze sculptures, small-scale contemporary sculpture, reclining figure sculpture, stacked stone abstraction, natural material contemporary sculpture.
VAAD00183
Artwork Details
About the Artwork
Boaz Vaadia’s Oded 2nd (#143) (2016) is a compelling figurative sculpture that captures the essence of peaceful repose. The reclining figure, composed of stacked bronze and bluestone layers, leans against a natural boulder, reinforcing Vaadia’s philosophy of integrating art with nature.
The organic formation of the figure, combined with the raw beauty of the materials, evokes a meditative stillness. The stacked stone elements create a dynamic yet stable visual effect, emphasizing the passage of time and the interconnectedness of human existence with the natural world.
This editioned work (7/7) is ideal for collectors of contemporary sculpture, figurative abstraction, and natural material aesthetics.
About the Artist
Boaz Vaadia (1951–2017) was an internationally recognized sculptor known for his innovative use of natural materials and distinctive stacked stone technique. His works are featured in major public and private collections, including the Metropolitan Museum of Art, the Brooklyn Museum, and the Bass Museum of Art.
Why Collect This Work?
Boaz Vaadia, Boaz Vaadia art for sale, Boaz Vaadia sculptures, contemporary bronze sculptures, stacked stone figurative sculpture, modern abstract sculptures, public art installations, bronze and stone figurative sculpture, contemporary abstract sculpture, limited edition sculptures, Sponder Gallery, modern art gallery, fine art collection, investment art, high-end contemporary art, meditative contemporary sculpture, minimalist modern sculpture, contemporary figurative sculpture, reclining figure stone sculpture, natural material sculpture.