Boaz Vaadia | El'azar (#56); edition 0/7 | 1999

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Doug Argue, Untitled, 2024

Oil on Linen, 47 x 35 in.

ARGU00009

2 / 27

Metis Atash, She Who Dreams, 2025

Resin, acrylic paint and 28,000 Swarovski crystals, 17 x 12 x 7 in.

A cast resin Punk Buddha sculpture with imagery inspired by Pablo Picasso created using over 28,000 swarovski crystals

ATAS00263

3 / 27

C Dutch, Light as Quanta, 2024

Mixed Media in Lucite Box, 48 x 48 x 3 1/2 in.

DUTC00007

4 / 27

Lynn Chadwick, Sitting Elektra II (575), Ed 2/4, 1968

Bronze, 18 x 20 x 19 in.

CHDD00016

5 / 27

Dan Christensen (Estate), Untitled 491L6, 1991

Acrylic on canvas, 73 1/2 x 91 in.

CHRI00100

6 / 27

Gabriel Delgado, My Hands Move Like Whispers Over Your Curves

, 2024

Mixed Media, graphite, chalk, acrylic paint on stretched canvas., 36 x 48 in.

DELG00010

7 / 27

Max-Steven Grossman, Israel 18; edition 4/5, 2025

diasec mounted photo, 37 x 75 in.

GROSS01010

8 / 27

Max-Steven Grossman, Rock 26; edition 1/5, 2025

diasec mounted photo, 37 x 75 in.

GROSS01011

9 / 27

Max-Steven Grossman, Art V5, 2015

diasec mounted photo, 91 x 48 in.

GROSS0039

10 / 27

Taher Jaoui, The Window Was Open, 2025

Mixed media on canvas, 67 x 54 in.

JAO00023

11 / 27

Taher Jaoui, Pretending to be Awake, 2024

Mixed media on canvas, 75 x 68 in.

"Pretending to be Awake" (2024) by Taher Jaoui is a bold and expressive mixed-media painting on canvas, measuring 75 x 68 inches. This dynamic composition blends gestural abstraction, vibrant color contrasts, and layered textures, creating a visually striking interplay of form and movement. Jaoui’s signature use of spontaneous brushwork, cryptic symbols, and abstract figurative elements evokes themes of consciousness, perception, and dreamlike exploration. Rooted in abstract expressionism, street art influences, and conceptual abstraction, Pretending to be Awake is a statement piece for collectors, interior designers, and contemporary art enthusiasts. Available exclusively at Sponder Gallery, this powerful painting is an outstanding example of investment-grade contemporary art with its captivating visual energy and complex layering. Taher Jaoui, contemporary abstract painting, modern abstract art, mixed media on canvas, large-scale abstract painting, gestural abstraction, expressive painting, fine art gallery, Sponder Gallery, art for collectors, luxury contemporary artwork, statement piece for interior design, conceptual abstract expressionism.

JAO00007

Pretending to be Awake (2024) by Taher Jaoui is a striking mixed-media painting on canvas, merging gestural abstraction, vibrant color contrasts, and dynamic mark-making. This large-scale composition features bold brushstrokes, cryptic symbols, and expressive textures, evoking themes of consciousness, perception, and dreamlike states.

Jaoui’s distinct artistic style, influenced by abstract expressionism, street art, and conceptual abstraction, results in an artwork that is both visually bold and intellectually engaging. The layering of fluid forms, spontaneous gestures, and intricate markings adds a depth of narrative, making Pretending to be Awake an exceptional statement piece for contemporary collectors and designers.

This museum-quality contemporary artwork is a highly sought-after acquisition, available exclusively at Sponder Gallery.

Why Collect This Artwork?

Exclusive Availability – Represented and available only through Sponder Gallery.
Investment-Quality Art – Taher Jaoui is a globally recognized contemporary artist with a strong market presence.
Bold Aesthetic Appeal – A visually compelling composition featuring expressive abstraction, vibrant colors, and layered textures.
Versatile Statement Piece – Enhances private collections, corporate spaces, and contemporary interiors.

About Sponder Gallery

Sponder Gallery is a premier fine art gallery, specializing in modern and contemporary art from internationally acclaimed artists. We provide expert guidance for private collectors, interior designers, and corporate buyers, ensuring the strategic acquisition of investment-grade contemporary artworks.

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Alex Katz, Straw Hat 1; edition 140/150, 2022

Archival pigment print on 315 gsm paper, 36 x 36 inches (paper) / 43 x 43 inches (framed) [+$1,250 frame]

KATZ00105

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Alex Katz, Ada 2 (Outline); edition AP 6/10, 2019

polished aluminum on bronze base with patina, 24 1/2 x 15 x 5 in.

KATZ00173

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Kx2 Ruth Avra & Dana Kleinman, Chroma scattered, 2026

Repurposed industrial pipe with acrylic on wood, dimensions variable - each element has 6.5 inch diameter

Kx200088

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Jane Manus, Thor, 2015

Aluminum, 31 3/4 x 15 x 17 in.

MANU0052

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Donald Martiny, Toccata, 2025

Pigment and polymer on aluminum, 62 x 78 in.

MART00162

17 / 27

Gino Miles, Talking to My Dream, 2025

Bronze, 101 x 60 x 60 in.

MILE00097

18 / 27

Udo Noger, Lichtfelder 65
, 2025

Oil and Acrylic on Canvas, 56 x 40 in.

NOGE00045

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Udo Noger, Lichtfelder 71, 2025

Charcoal and Acrylic on canvas, 56 x 40 in.

NOGE00044

20 / 27

Jules Olitski, Belshazzar Dream 2, 1978

Acrylic on canvas, 79 x 51 in.

OLIJ00009

Jonathan Prince, Alembic Cube (study 1), 2016
CorTen and High Chromium Stainless Steel, 16 x 16 x 16 in.
PRIN0017

A sculptural view of Alembic Cube (Study 1) (2016) by Jonathan Prince, featuring the rusted, textured surface of CorTen steel. The cubeâ€™s precise geometry contrasts with the softened, eroded edges, creating a tension between structure and organic evolutio

Close-up of Alembic Cube (Study 1) (2016) by Jonathan Prince, highlighting the juxtaposition of CorTen steelâ€™s textured patina with the polished, reflective high chromium stainless steel. The organic curvature of the metal suggests movement within the geo

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Jonathan Prince, Alembic Cube (study 1), 2016

CorTen and High Chromium Stainless Steel, 16 x 16 x 16 in.

PRIN0017

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Holton Rower, 1 AP 22 C, 2024

Mixed Media on Wood, 48 x 46 1/2 in.

ROWE00006

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Jonathan Smith, Falls #36, 2024

Photograph, 50 x 90 in.

SMI00013

Patrick Tagoe Turkson, 348 Ayeforyer 2
Found Flip Flops on Suede, 50 x 54 in.
TAGO00004

24 / 27

Patrick Tagoe Turkson, 348 Ayeforyer 2

Found Flip Flops on Suede, 50 x 54 in.

TAGO00004

25 / 27

Tigran Tsitoghdzyan, Armenian Mirror (orange), 2025

mixed media on paper, 80 x 56 inches (paper) /

TSIT00074

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Boaz Vaadia, Uzziyya (#148) (BVE); edition 2/7, 2020

Bronze and Bluestone, 26 1/2 x 13 x 10 in. (67.3 x 33 x 25.4 cm)

Boaz Vaadia’s Uzziyya (#148) (BVE) (2020) is a striking bronze and bluestone sculpture that exemplifies the artist’s distinctive stacked stone technique. This editioned work (2/7) stands at 26 1/2 x 13 x 10 inches and captures the essence of Vaadia’s meditative and minimalist approach to the human form. The figure stands in quiet contemplation, its layered composition mimicking the natural stratification of stone, a signature element of Vaadia’s practice. The interplay between the weight of the materials and the serene posture of the figure gives Uzziyya (#148) a timeless presence, making it a powerful addition to contemporary collections. Vaadia’s sculptures are held in major museum collections, including the Metropolitan Museum of Art, the Brooklyn Museum, and the Bass Museum of Art. Collectors searching for Boaz Vaadia sculpture for sale, stacked stone figurative sculpture, bronze and bluestone contemporary art, and minimalist figurative sculpture will find Uzziyya (#148) to be an exceptional investment piece. Boaz Vaadia, Boaz Vaadia sculptures, Boaz Vaadia art for sale, contemporary stone sculptures, bronze and bluestone sculptures, stacked stone figurative sculptures, modern figurative sculpture, Sponder Gallery, fine art collection, investment art, high-end contemporary art, meditative contemporary sculpture, minimalist contemporary art, bluestone human sculpture, natural material contemporary sculpture, collectible figurative sculpture, contemporary meditation art, stone abstraction, modern bronze art, contemporary figurative abstraction.

VAAD00208

Artwork Details

Artist: Boaz Vaadia
Title: Uzziyya (#148) (BVE)
Year: 2020
Edition: 2/7
Medium: Bronze and Bluestone
Dimensions: 26 1/2 x 13 x 10 in.
Availability: Available for acquisition through Sponder Gallery

About the Artwork

Boaz Vaadia’s Uzziyya (#148) (2020) is a refined and contemplative figurative sculpture that reflects the artist’s deep connection to nature and tradition. This standing figure is built from layers of bronze and bluestone, forming an abstracted human shape that mirrors the natural stratification of rock formations.

Vaadia’s signature technique of stacking and carving stone-inspired materials results in a work that feels both ancient and contemporary. The quiet poise of Uzziyya (#148) conveys a meditative quality, making it an ideal piece for collectors who appreciate minimalist and nature-driven art.

This editioned work (2/7) is perfect for contemporary collectors seeking a sculpture that bridges natural forms with human expression.

About the Artist

Boaz Vaadia (1951–2017) was an internationally recognized sculptor known for his pioneering stacked stone technique. His works are in major museum collections, including the Metropolitan Museum of Art, the Brooklyn Museum, and the Bass Museum of Art.

Why Collect This Work?

Timeless & Meditative: Uzziyya (#148) embodies themes of stillness, contemplation, and organic form.
Museum-Quality Artwork: Vaadia’s sculptures are housed in top museum collections worldwide.
Unique Material Composition: The blend of bronze and bluestone enhances its sculptural depth and textural appeal.

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