Josef Albers, Biconjugate: Portfolio 2 Folder 23; from Formulation Articulation; edition 238/1000, 1972
screenprint on Mohawk Superfine Bristol paper, 15 x 40 inches (paper) / 17 x 42 inches (framed)
00057
Josef Albers, G Clef: Portfolio 1 Folder 16; from Formulation Articulation; edition 238/1000, 1972
screenprint on Mohawk Superfine Bristol paper, 15 x 40 inches (paper) / 17 x 42 inches (framed)
00017
Josef Albers, Graphic Tectonic (Prefacio): Portfolio 1 Folder 32; from Formulation Articulation; edition 238/1000, 1972
screenprint on Mohawk Superfine Bristol paper, 15 x 40 inches (paper) / 17 x 42 inches (framed)
00033
Josef Albers, Homage to the Square: Portfolio 1 Folder 5; from Formulation Articulation; edition 238/1000, 1972
screenprint on Mohawk Superfine Bristol paper, 15 x 40 inches (paper) / 17 x 42 inches (framed)
00006
Josef Albers, Homage to the Square: Portfolio 2 Folder 24; from Formulation Articulation; edition 238/1000, 1972
screenprint on Mohawk Superfine Bristol paper, 15 x 40 inches (paper) / 17 x 42 inches (framed)
00058
Josef Albers, Homage to the Square: Portfolio 2 Folder 27; from Formulation Articulation; edition 238/1000, 1972
screenprint on Mohawk Superfine Bristol paper, 15 x 40 inches (paper) / 17 x 42 inches (framed)
00061
Josef Albers, Homage to the Square: Portfolio 2 Folder 33; from Formulation Articulation; edition 238/1000, 1972
screenprint on Mohawk Superfine Bristol paper, 15 x 40 inches (paper) / 17 x 42 inches (framed)
00067
Josef Albers, Homage to the Square: Portfolio 2 Folder 8; from Formulation Articulation; edition 238/1000, 1972
screenprint on Mohawk Superfine Bristol paper, 15 x 40 inches (paper) / 17 x 42 inches (framed)
00042
Josef Albers, Steps: Portfolio 2 Folder 1; from Formulation Articulation; edition 238/1000, 1972
screenprint on Mohawk Superfine Bristol paper, 15 x 40 inches (paper) / 17 x 42 inches (framed)
00035
Josef Albers, Untitled: Portfolio 2 Folder 2; from Formulation Articulation; edition 238/1000, 1972
screenprint on Mohawk Superfine Bristol paper, 15 x 40 inches (paper) / 17 x 42 inches (framed)
00036
Josef Albers, Variant: Portfolio 1 Folder 11; from Formulation Articulation; edition 238/100, 1972
screenprint on Mohawk Superfine Bristol paper, 15 x 40 inches (paper) / 17 x 42 inches (framed)
00012
Josef Albers, Variant: Portfolio 1 Folder 17; from Formulation Articulation; edition 238/100, 1972
screenprint on Mohawk Superfine Bristol paper, 15 x 40 inches (paper) / 17 x 42 inches (framed)
00018
Donald Baechler, Flowers in Vase; edition 35/50, 2009
9 color screen print with enamel and flocking on 4-ply museum board, 58 x 58 inches (paper) / 62 x 62 inches (framed)
BAEC00014
Stanley Boxer (Estate), Wreathedplungeofpoppyslather, 1978
Oil and mixed media on canvas, 36 x 96 in.
BOXE00192
Lynn Chadwick, Sitting Woman in Robes II (C53); edition 2/9, 1987
Bronze, 9 1/2 x 13 1/4 x 10 1/2 in.
CHAD00056
Gabriel Delgado, My Hands Move Like Whispers Over Your Curves
, 2024
Mixed Media, graphite, chalk, acrylic paint on stretched canvas., 36 x 48 in.
DELG00010
Helen Frankenthaler, Tout à Coup, edition of 46, 1987
Two-colour etching, aquatint, and drypoint on Magnani paper, 87 x 41 inches /
Helen Frankenthaler's prints are a continuation of her painting practice by bringing the same experimental, expressive and process-driven approach to the work. Best known for her innovation of the soak-stain technique in painting - pouring thinned paint onto unprimed canvas to create fluid, color-saturated fields. Similarly, in printmaking, she explored the same physicality of materials, pushing boundaries by layering multiple plates and using unusual tools.
FRAN00004
Max-Steven Grossman, Israel 18; edition 2/5, 2025
diasec mounted photo, 37 x 75 in.
GROSS00993
Max-Steven Grossman, Music DS; edition 1/5, 2025
diasec mounted photo, 48 x 100 in.
GROSS00994
Max-Steven Grossman, Rock 26; edition 1/5, 2025
diasec mounted photo, 48 x 100 in.
GROSS00995
Taher Jaoui, Pretending to be Awake, 2024
Mixed media on canvas, 75 x 68 in.
"Pretending to be Awake" (2024) by Taher Jaoui is a bold and expressive mixed-media painting on canvas, measuring 75 x 68 inches. This dynamic composition blends gestural abstraction, vibrant color contrasts, and layered textures, creating a visually striking interplay of form and movement. Jaoui’s signature use of spontaneous brushwork, cryptic symbols, and abstract figurative elements evokes themes of consciousness, perception, and dreamlike exploration. Rooted in abstract expressionism, street art influences, and conceptual abstraction, Pretending to be Awake is a statement piece for collectors, interior designers, and contemporary art enthusiasts. Available exclusively at Sponder Gallery, this powerful painting is an outstanding example of investment-grade contemporary art with its captivating visual energy and complex layering. Taher Jaoui, contemporary abstract painting, modern abstract art, mixed media on canvas, large-scale abstract painting, gestural abstraction, expressive painting, fine art gallery, Sponder Gallery, art for collectors, luxury contemporary artwork, statement piece for interior design, conceptual abstract expressionism.
JAO00007
Pretending to be Awake (2024) by Taher Jaoui is a striking mixed-media painting on canvas, merging gestural abstraction, vibrant color contrasts, and dynamic mark-making. This large-scale composition features bold brushstrokes, cryptic symbols, and expressive textures, evoking themes of consciousness, perception, and dreamlike states.
Jaoui’s distinct artistic style, influenced by abstract expressionism, street art, and conceptual abstraction, results in an artwork that is both visually bold and intellectually engaging. The layering of fluid forms, spontaneous gestures, and intricate markings adds a depth of narrative, making Pretending to be Awake an exceptional statement piece for contemporary collectors and designers.
This museum-quality contemporary artwork is a highly sought-after acquisition, available exclusively at Sponder Gallery.
Why Collect This Artwork?
Exclusive Availability – Represented and available only through Sponder Gallery.
Investment-Quality Art – Taher Jaoui is a globally recognized contemporary artist with a strong market presence.
Bold Aesthetic Appeal – A visually compelling composition featuring expressive abstraction, vibrant colors, and layered textures.
Versatile Statement Piece – Enhances private collections, corporate spaces, and contemporary interiors.
Sponder Gallery is a premier fine art gallery, specializing in modern and contemporary art from internationally acclaimed artists. We provide expert guidance for private collectors, interior designers, and corporate buyers, ensuring the strategic acquisition of investment-grade contemporary artworks.
Taher Jaoui, contemporary abstract painting, modern abstract art, mixed media on canvas, large-scale painting, expressive gestural abstraction, conceptual art, fine art gallery, Sponder Gallery, collector’s artwork, investment art, bold contemporary painting, statement piece for collectors, luxury art acquisition, art for interior design, abstract expressionism.
Alex Katz, Straw Hat 1; edition 140/150, 2022
Archival pigment print on 315 gsm paper, 36 x 36 inches (paper) / 43 x 43 inches (framed) [+$1,250 frame]
KATZ00105
Alex Katz, Vivien in White Coat; edition 4/6, 2022
Porcelain enamel on cut steel mounted on polished stainless steel base, 74 1/2 x 56 x 14 1/2 in.
KATZ00174
Kx2 Ruth Avra & Dana Kleinman, Caspersen Beach, 2025
aluminum with powder coat, acrylic and mixed media on panel, dimensions variable - 10.5"" diameter x 3.5"" depth each
Kx200081
Kx2 Ruth Avra & Dana Kleinman, Chroma Ripples, 2025
repurposed industrial pipe with arcylic and mixed media on wood, 6.5 in diameter each or 90 x 48 x 3.5 in. as shown
Kx200083
Robert Motherwell, Elegy Black Black; edition 89/98, 1983
Lithograph on white TGL handmade paper, 15 x 37.75 inches (paper) / 22 x 45.5 inches (framed)
This lithograph was printed by Roger Campbell and Lee Funderburg at Tyler Graphics Ltd., New York, and published by Tyler Graphics Ltd., New York.
MOTH00013
Larry Poons, Rattled (90A-8), 1990
Acrylic and mixed media on canvas, 90 1/2 x 88 x 6 1/2 in.
In the 1990s, Larry Poons's work shifted to a new "Particle" series, moving away from his earlier pouring and throwing techniques towards a more tactile, sculptural approach. He began attaching various materials like foam and rubber to the canvas, creating elaborate textures and "under-drawings" that influenced the final compositions. This period saw him return to using paintbrushes and working on large, wall-sized rolls of canvas from which he would later crop individual paintings.
POON00009
Frank Stella, Bene Come Il Sale, edition 27/50, 1989
relief-printed etching on TGL handmade paper, 85 x 65.5 inches framed
STEL00019
Tigran Tsitoghdzyan, Armenian Mirror (orange), 2025
mixed media on paper, 80 x 56 inches (paper) /
TSIT00074
Tigran Tsitoghdzyan, Black Mirror, 2018
Mixed media, 50 x 35 inch paper (59 x 45 inch framed + $1,650)
TSIT00025
Boaz Vaadia, Haza'el (#113); edition AP, 2011
Bronze and Bluestone, 41 x 41 x 29 in. (104.1 x 104.1 x 73.7 cm)
Boaz Vaadia’s Haza'el (#113) (2011) is a striking bronze and bluestone sculpture that exemplifies the artist’s mastery of the stacked stone technique. This editioned work (AP) measures 41 x 41 x 29 inches and portrays a kneeling figure in a contemplative pose, reinforcing themes of introspection, grounding, and the organic connection between humanity and nature. Vaadia’s use of bluestone and bronze layers gives the figure a geological quality, evoking ancient rock formations while maintaining a distinctly contemporary aesthetic. The subtle interplay between the rugged materiality and the softness of the human form makes Haza'el (#113) a deeply meditative work. Vaadia’s sculptures are part of prestigious collections, including the Metropolitan Museum of Art, the Brooklyn Museum, and the Bass Museum of Art. Collectors and art enthusiasts searching for Boaz Vaadia artwork for sale, bronze and bluestone sculptures, stacked stone contemporary art, and contemplative figurative sculptures will find Haza'el (#113) to be an outstanding acquisition. Boaz Vaadia, Boaz Vaadia sculptures, Boaz Vaadia art for sale, contemporary stone sculptures, bronze and bluestone sculptures, stacked stone figurative sculptures, modern figurative sculpture, Sponder Gallery, fine art collection, investment art, high-end contemporary art, meditative contemporary sculpture, minimalist contemporary art, outdoor bronze sculptures, stacked stone abstraction, modern kneeling figure sculpture, contemporary abstract stone sculpture.
VAAD00170
About the Artwork
Boaz Vaadia’s Haza'el (#113) (2011) is a powerful and introspective figurative sculpture featuring a kneeling human form composed of carefully stacked bronze and bluestone layers. The pose suggests contemplation, humility, and a deep connection to the earth, reinforcing Vaadia’s philosophy of working in harmony with natural materials.
This work seamlessly merges ancient sculptural traditions with modern abstraction, making Haza'el (#113) an essential addition to collections that emphasize figurative art, minimalism, and natural material aesthetics.
The carefully layered composition creates a geological effect, suggesting the passage of time and humanity’s enduring relationship with the natural world. The figure’s form appears both timeless and rooted in the present, making it a compelling acquisition for collectors of contemporary stone sculpture and abstract figurative works.
About the Artist
Boaz Vaadia (1951–2017) was an internationally renowned sculptor known for his innovative use of natural materials and his distinctive stacked stone technique. His works are housed in major public and private collections, including installations at the Metropolitan Museum of Art, the Brooklyn Museum, and the Bass Museum of Art.
Why Collect This Work?
Boaz Vaadia, Boaz Vaadia art for sale, Boaz Vaadia sculptures, contemporary bronze sculptures, stacked stone figurative sculpture, modern figurative sculptures, public art installations, bronze and bluestone figurative sculpture, modern abstract sculpture, limited edition sculptures, Sponder Gallery, modern art gallery, fine art collection, investment art, high-end contemporary art, meditative contemporary sculpture, minimalist modern sculpture, contemporary figurative sculpture, kneeling figure stone sculpture.
Boaz Vaadia, El'azar (#56); edition 0/7, 1999
Bronze, Bluestone and Boulder, 16 x 22 x 17 in.
VAAD00251
Boaz Vaadia, Shemaryahu (#19); edition of 7, 1993
Bronze, Bluestone and Boulder, 24 x 17 x 17 in.
VAAD00252
Boaz Vaadia, Ge'u'el & Binyamin (#73) edition 0/7
Bronze, Bluestone and Boulder, 23 x 28 x 28 in. (58.4 x 71.1 x 71.1 cm)
Boaz Vaadia’s Ge'u'el & Binyamin (#73) is an exceptional bronze, bluestone, and boulder sculpture that embodies the artist’s signature stacked stone technique. This editioned work (0/7), measuring 23 x 28 x 28 inches, presents two figures—one seated and one standing—separated by a naturally shaped boulder. The careful composition suggests themes of connection, contemplation, and the human relationship with nature. Vaadia’s mastery of form and material is evident in the way the stacked stone layers create a geological effect, reinforcing the sculpture’s organic presence. Ge'u'el & Binyamin (#73) reflects his artistic philosophy of working in harmony with nature, resulting in a meditative and timeless contemporary work. Vaadia’s sculptures are included in prominent collections worldwide, including installations at the Metropolitan Museum of Art, the Brooklyn Museum, and the Bass Museum of Art. Collectors and contemporary sculpture enthusiasts searching for Boaz Vaadia artwork for sale, bronze and bluestone sculptures, figurative contemporary art, and stacked stone modern sculptures will find Ge'u'el & Binyamin (#73) a meaningful and sophisticated addition to any collection. Boaz Vaadia, Boaz Vaadia sculptures, Boaz Vaadia art for sale, contemporary stone sculptures, bronze and bluestone sculptures, stacked stone figurative sculptures, small-scale contemporary sculptures, natural material sculptures, modern figurative sculpture, Sponder Gallery, fine art collection, investment art, high-end contemporary art, meditative contemporary sculpture, minimalist contemporary art, outdoor bronze sculptures, stacked stone abstraction, contemporary dual-figure sculpture.
VAAD00226
Artwork Details
About the Artwork
Boaz Vaadia’s Ge'u'el & Binyamin (#73) is an intricately balanced dual-figure composition that captures the quiet interaction between two human forms—one seated, the other standing—divided by a naturally positioned boulder. This work emphasizes Vaadia’s artistic approach of merging human presence with geological formations, creating sculptures that feel both ancient and contemporary.
By layering stacked stone to resemble natural rock formations, Vaadia constructs figures that are both abstract and familiar, evoking themes of reflection, connection, and coexistence with nature. The choice of bronze, bluestone, and boulder materials further enhances the sculpture’s visual depth and enduring quality.
This editioned work (0/7) is an ideal choice for collectors of contemporary sculpture and those drawn to modern figurative abstraction.
About the Artist
Boaz Vaadia (1951–2017) was an internationally renowned sculptor known for his use of natural materials and his distinctive stacked stone technique. His works are held in major public and private collections, including installations at the Metropolitan Museum of Art, the Brooklyn Museum, and the Bass Museum of Art.
Why Collect This Work?
Boaz Vaadia, Boaz Vaadia art for sale, Boaz Vaadia sculptures, contemporary bronze sculptures, stacked stone figurative sculpture, modern dual-figure sculptures, public art installations, bronze and bluestone figurative sculpture, modern abstract sculpture, limited edition sculptures, Sponder Gallery, modern art gallery, fine art collection, investment art, high-end contemporary art, meditative contemporary sculpture, minimalist modern sculpture, contemporary figurative sculpture, dual-figure modern sculpture.
Bernar Venet, Two Indeterminate Lines II; edition 15/50, 2014
polymer gravure etching and carborundum on Somerset UK textured white paper, 30.5 x 39.7 inches (paper) / 35.25 x 44.5 x 2.75 inches (framed)
VENE00020