Donald Martiny | Milyan | 2018

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Josef Albers, Variant: Portfolio 1 Folder 11; from Formulation Articulation; edition 238/100, 1972

screenprint on Mohawk Superfine Bristol paper, 15 x 40 inches (paper) / 17 x 42 inches (framed)

00012

2 / 23

Josef Albers, G Clef: Portfolio 1 Folder 16; from Formulation Articulation; edition 238/1000, 1972

screenprint on Mohawk Superfine Bristol paper, 15 x 40 inches (paper) / 17 x 42 inches (framed)

00017

3 / 23

Josef Albers, Graphic Tectonic (Prefacio): Portfolio 1 Folder 32; from Formulation Articulation; edition 238/1000, 1972

screenprint on Mohawk Superfine Bristol paper, 15 x 40 inches (paper) / 17 x 42 inches (framed)

00033

4 / 23

Josef Albers, Homage to the Square: Portfolio 2 Folder 27; from Formulation Articulation; edition 238/1000, 1972

screenprint on Mohawk Superfine Bristol paper, 15 x 40 inches (paper) / 17 x 42 inches (framed)

00061

5 / 23

Josef Albers, Homage to the Square: Portfolio 2 Folder 33; from Formulation Articulation; edition 238/1000, 1972

screenprint on Mohawk Superfine Bristol paper, 15 x 40 inches (paper) / 17 x 42 inches (framed)

00067

6 / 23

Josef Albers, Homage to the Square: Portfolio 2 Folder 8; from Formulation Articulation; edition 238/1000, 1972

screenprint on Mohawk Superfine Bristol paper, 15 x 40 inches (paper) / 17 x 42 inches (framed)

00042

7 / 23

Josef Albers, Untitled: Portfolio 2 Folder 2; from Formulation Articulation; edition 238/1000, 1972

screenprint on Mohawk Superfine Bristol paper, 15 x 40 inches (paper) / 17 x 42 inches (framed)

00036

8 / 23

Metis Atash, Soul Sync, 2025

Resin, acrylic paint and 28,000 Swarovski crystals, 17 x 12 x 7 in.

A cast resin Punk Buddha sculpture with imagery inspired by Keith Haring created using over 28,000 swarovski crystals

ATAS00262

9 / 23

Harry Benson, Ali Hits George, 5th Street Gym, Miami; edition 11/35, 1964

Photograph, 30 x 40 inches (paper) / 43 x 51 inches (framed) [+$1,200 frame]

BENS00035

10 / 23

Harry Benson, James Brown Does the Split, Augusta, GA; edition 22/35, 1979

Archival Pigment Photograph, 24 x 30 inches (paper) / [+$850 frame]

BENS00047

11 / 23

Max-Steven Grossman, Rock SQ WF; edition 5/5, 2025

diasec mounted photo, 48 x 53 in.

GROSS00964

12 / 23

Taher Jaoui, The Window Was Open, 2025

Mixed media on canvas, 67 x 54 in.

JAO00023

13 / 23

Kim Keever, Abstract 47648, 2020

Diasec mounted photograph, 33 x 28 in. Ed /5

KEEV00032

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Kim Keever, Abstract 52352b, 2020

Diasec mounted photograph, 32 x 28 in. Ed /5

KEEV00034

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Kx2 Ruth Avra & Dana Kleinman, Caspersen Beach, 2025

aluminum with powder coat, acrylic and mixed media on panel, dimensions variable - 10.5"" diameter x 3.5"" depth each

Kx200081

16 / 23

Tom Leighton, Venice 1; edition AP 2, 2010

C-type digital print, perspex mounted, 63 x 28 in.

LEIG00029

Donald Martiny, Milyan, 2018
polymer and pigment on aluminum, 62 x 31 in. central element, 25 x 14 in. element No. 2, 12 x 17 in. element No. 3
Medium: Polymer and pigment on aluminum
Dimensions: 62 x 31 in. (central element), 25 x 14 in. (element No. 2), 12 x 17 in.

Donald Martiny’s Milyan (2018) is a captivating sculptural painting that exemplifies his signature gestural abstraction. Created using polymer and pigment on aluminum, this multi-element composition features sweeping, fluid brushstrokes that extend beyond traditional canvas constraints, allowing the paint to exist as a free-form sculptural entity.

Rendered in a rich, vibrant cobalt blue, Milyan evokes a sense of motion and energy, with its dynamic brushstrokes appearing as if suspended in mid-air. The segmentation of the piece into multiple elements enhances its spatial presence, engaging viewers with its interplay of movement, form, and negative space. The thick, textured surface of the pigment reflects Martiny’s process-driven approach, where the physicality of the brushstroke is as important as its visual impact.

Martiny’s works are internationally recognized and included in prestigious collections, such as a permanent installation at One World Trade Center in New York. His innovative exploration of gesture, materiality, and scale continues to push the boundaries of contemporary abstraction.

Discover Milyan and other works by Donald Martiny exclusively at Sponder Gallery, a premier destination for contemporary abstract and sculptural art.

Donald Martiny, Milyan painting, 2018 contemporary art, polymer pigment painting, aluminum sculpture painting, gestural abstraction, contemporary abstract expressionism, Donald Martiny artist, large-scale paintings, Sponder Gallery, abstract sculptural painting, investment art, modern abstract painting, international contemporary artists, cobalt blue abstract painting, multi-element abstract composition, textured art, innovative contemporary sculpture.
MART00107

Donald Martinyâ€™s Milyan (2018), a multi-element abstract sculptural painting featuring bold cobalt blue brushstrokes, created using polymer and pigment on aluminum, with dimensions of 62 x 31 inches (central element), 25 x 14 inches (element No. 2), and 1

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Donald Martiny, Milyan, 2018

polymer and pigment on aluminum, 62 x 31 in. central element, 25 x 14 in. element No. 2, 12 x 17 in. element No. 3

Medium: Polymer and pigment on aluminum Dimensions: 62 x 31 in. (central element), 25 x 14 in. (element No. 2), 12 x 17 in. Donald Martiny’s Milyan (2018) is a captivating sculptural painting that exemplifies his signature gestural abstraction. Created using polymer and pigment on aluminum, this multi-element composition features sweeping, fluid brushstrokes that extend beyond traditional canvas constraints, allowing the paint to exist as a free-form sculptural entity. Rendered in a rich, vibrant cobalt blue, Milyan evokes a sense of motion and energy, with its dynamic brushstrokes appearing as if suspended in mid-air. The segmentation of the piece into multiple elements enhances its spatial presence, engaging viewers with its interplay of movement, form, and negative space. The thick, textured surface of the pigment reflects Martiny’s process-driven approach, where the physicality of the brushstroke is as important as its visual impact. Martiny’s works are internationally recognized and included in prestigious collections, such as a permanent installation at One World Trade Center in New York. His innovative exploration of gesture, materiality, and scale continues to push the boundaries of contemporary abstraction. Discover Milyan and other works by Donald Martiny exclusively at Sponder Gallery, a premier destination for contemporary abstract and sculptural art. Donald Martiny, Milyan painting, 2018 contemporary art, polymer pigment painting, aluminum sculpture painting, gestural abstraction, contemporary abstract expressionism, Donald Martiny artist, large-scale paintings, Sponder Gallery, abstract sculptural painting, investment art, modern abstract painting, international contemporary artists, cobalt blue abstract painting, multi-element abstract composition, textured art, innovative contemporary sculpture.

MART00107

Artist: Donald Martiny
Title: Milyan
Year: 2018
Medium: Polymer and pigment on aluminum
Dimensions:

Central element: 62 x 31 in.
Element No. 2: 25 x 14 in.
Element No. 3: 12 x 17 in.
Availability: Available through Sponder Gallery

About the Artwork:

Donald Martiny’s Milyan (2018) is a dynamic multi-element sculptural painting that pushes the boundaries of gestural abstraction. Created with polymer and pigment on aluminum, this bold composition captures the raw energy of movement, where sweeping, textured brushstrokes exist beyond the limits of a traditional canvas.

The vibrant cobalt blue pigment enhances the sense of depth and motion, with the segmented brushstroke elements appearing weightless and fluid. The thick application of pigment creates a highly tactile surface, allowing viewers to engage with the materiality and spontaneity of Martiny’s process. Milyan is both expressive and immersive, making it a striking addition to any contemporary art collection.

About the Artist:

Donald Martiny is a globally recognized contemporary artist known for his sculptural paintings that challenge the conventions of traditional abstraction. His works have been exhibited internationally and are included in significant collections, including a permanent installation at One World Trade Center in New York. By focusing on gesture, scale, and material exploration, Martiny continues to redefine contemporary painting and sculpture.

Exhibition & Collection Highlights:

Permanent collection, One World Trade Center, New York
Exhibited in leading contemporary galleries, museums, and art fairs
Collected by prominent private and corporate collectors worldwide

Donald Martiny, Milyan 2018, abstract expressionist painting, polymer pigment on aluminum, contemporary abstract art, large-scale sculptural painting, contemporary art for sale, Sponder Gallery, art collectors, high-end abstract art, investment art, modern abstract expressionism, cobalt blue abstract painting, textured sculpture painting, innovative contemporary art, gestural abstraction, international contemporary artists, multi-element abstract artwork.

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JM Rizzi, Summer Blues, 2018

Ink on canvas

RIZZ00009

19 / 23

Harald Schmitz Schmelzer, FF 32 F, 2010

Resin on Plywood, 22 7/8 x 10 1/4 x 3 1/2 in.

SCHM0051

20 / 23

Patrick Tagoe Turkson, 515 Maakomamu, 2024

Found Flip Flops on Suede, 52 x 51 in.

TAGO00013

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Tigran Tsitoghdzyan, Mirror V, 2020

Mixed media, 50 x 35 inches (paper) / 59 x 45 inches (framed) (+ $1,650 frame)

TSIT00044

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Boaz Vaadia, Hanokh (#112), edition of 7 + 2 AP, 2011

Bronze and Bluestone, 12 1/2 x 11 1/2 x 9 1/2 in.

Boaz Vaadia – Hanokh (#112) (2011), Bronze and Bluestone Boaz Vaadia’s Hanokh (#112) (2011) exemplifies the artist’s unique sculptural technique, utilizing bronze and bluestone to create a layered, stratified form that mimics the natural sedimentation of stone. This seated figure sculpture, measuring 12.5 x 11.5 x 9.5 inches, is part of an edition of 7 + 2 artist proofs, showcasing Vaadia’s mastery in harmonizing nature with the human form. Inspired by the geological formations of stacked rock found in nature, Hanokh exudes a meditative presence, making it a striking addition to any contemporary art collection. A master of modern figurative sculpture, Boaz Vaadia (1951–2017) was renowned for his use of organic materials to evoke the intrinsic connection between humanity and nature. His works are featured in prestigious collections, including the Metropolitan Museum of Art, the Brooklyn Museum, and the Israel Museum. Perfect for collectors seeking museum-quality bronze sculpture, this piece embodies Vaadia’s earth-driven aesthetic. Available now at Sponder Gallery, Hanokh (#112) offers a timeless blend of ancient influences and contemporary artistry.

VAAD00246

Work Information – Boaz Vaadia, Hanokh (#112) (2011)

Artist: Boaz Vaadia (1951–2017)
Title: Hanokh (#112)
Year: 2011
Medium: Bronze and Bluestone
Dimensions: 12.5 x 11.5 x 9.5 inches
Edition: 7 + 2 AP (Artist’s Proofs)
Signature: Incised signature on base
Availability: Available at Sponder Gallery

Description & Artistic Context:

Boaz Vaadia’s Hanokh (#112) is a striking example of contemporary figurative sculpture, embodying a meditative seated figure sculpted in layered bronze and bluestone. His signature style replicates the geological stratification of natural rock formations, reinforcing the harmony between human presence and the natural world.

This work is part of an exclusive edition of 7 + 2 artist proofs, making it a sought-after acquisition for collectors of modern bronze sculpture. Vaadia’s art is celebrated for its organic textures and monumental yet intimate aesthetic, with works housed in major museum collections, including:
âœ”ï¸ The Metropolitan Museum of Art
âœ”ï¸ The Brooklyn Museum
âœ”ï¸ The Israel Museum