Harold Garde, Self Portrait as a Stranger, 1987
Acrylic on canvas, 66 x 44 in.
Harold Garde’s Self Portrait as a Stranger (1987) is a powerful Abstract Expressionist painting that explores identity, self-perception, and emotional depth through bold color, dynamic brushstrokes, and fragmented forms. Created with acrylic on canvas, this large-scale figurative abstraction (66 x 44 inches) showcases Garde’s masterful ability to merge modern art techniques with introspective themes. A pivotal work in his artistic career, this psychological self-portrait embodies the tension between representation and abstraction, making it a compelling addition for collectors of contemporary art, museum-quality pieces, and fine art investment portfolios.
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Self Portrait as a Stranger by Harold Garde is an emotionally charged Abstract Expressionist self-portrait, where the artist challenges traditional portraiture through vivid color contrasts, expressive brushwork, and geometric abstraction. The composition creates a sense of disorientation, reflecting themes of psychological depth, identity, and transformation. This large-scale painting (66 x 44 inches) exemplifies Garde’s influence in 20th-century modern art and his ability to merge figurative abstraction with deep personal exploration.
Harold Garde, Z Ancestic, c. 1991
Acrylic on canvas, 55 x 44 in.
Harold Garde’s Ancestic (c. 1991) is a powerful Abstract Expressionist painting that explores ancestry, identity, and personal history through bold color contrasts, fragmented forms, and layered symbolism. Executed in acrylic on canvas, this mid-sized contemporary artwork (55 x 44 inches) demonstrates Garde’s ability to blend figurative abstraction with surrealist undertones. The overlapping faces and striking color palette evoke themes of heritage, transformation, and the fluidity of self. This museum-quality modern artwork is a significant example of Garde’s exploration of psychological portraiture and abstract storytelling, making it a compelling acquisition for art collectors, museums, and contemporary art enthusiasts.
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Harold Garde’s Ancestic (c. 1991) is a striking exploration of ancestry and identity, rendered in Abstract Expressionist and figurative abstraction styles. The composition features layered, fragmented faces, suggesting a multi-generational presence or the duality of self. Garde’s bold brushwork and vivid use of yellow, red, black, and blue hues add psychological depth, while the painting’s surrealist elements reinforce themes of time, legacy, and self-exploration. This contemporary abstract painting is an excellent addition for collectors seeking investment-worthy modern art, museum-quality pieces, and artworks reflecting the evolution of abstract portraiture.
Harold Garde, Z Black Line Figures, 2001
Acrylic on canvas, 44 x 56 in.
Harold Garde’s Black Line Figures (2001) is a bold and expressive contemporary painting that explores human form, emotion, and abstraction through the use of monochromatic tones and gestural line work. Executed in acrylic on canvas (44 x 56 inches), this piece demonstrates Garde’s mastery of expressive mark-making, figurative abstraction, and psychological depth. The stark contrast of black and white, combined with raw, sketch-like figures, evokes a sense of memory, impermanence, and existential reflection. This museum-quality modern artwork is a significant example of Garde’s contemporary expressionist style, making it a compelling addition for collectors, museums, and fine art investors seeking figurative abstraction with emotional resonance.
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Harold Garde’s Black Line Figures (2001) is a compelling example of contemporary figurative abstraction, executed in monochromatic acrylic paint on canvas. This painting’s gestural lines, layered brushstrokes, and high-contrast composition reflect Garde’s ability to merge expressionism with raw, emotional storytelling. The presence of outlined figures, appearing almost like fleeting memories or ghostly impressions, invites viewers to explore themes of identity, time, and the human experience.
Harold Garde, Z Untitled : They Are Us Series, c. 2020
Acrylic on canvas, 44 x 55 in.
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