March 10, 2021
View images of our recent collaboration with Wecselman Design at the Ritz-Carlton Residences in Miami Beach.
This gorgeous model villa Z includes work by Donald Baechler, Dan Christensen, Gabriele Evertz, Max-Steven Grossman, Jane Manus, Donald Martiny, James Austin Murray, Udo Noger, Donald Sultan and Tigran Tsitoghdzyan.
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August 24, 2019
Harmonies In Color: Six Contemporary Perspectives
August 24, 2019 - March 1, 2020
Color is fundamental to an understanding of our world and profoundly affects our daily lives. Although visible color constitutes only a small portion of the electromagnetic spectrum, it is complex and endlessly fascinating to artists and scientists alike. Harmonies in Color explores the perception of color and brings together the work of six renowned colorists: Gabriele Evertz, Irene Mamiye, Pard Morrison, Jen Pack, Robert Swain, and Sanford Wurmfeld.
The exhibition includes paintings, photographs, sculptures, and “thread works,” and makes reference to major milestones in the scientific investigation of color, color themes and theories, and color as a subject in art. The artists featured in the exhibition work with different aesthetic media and are pursuing the investigation of color from different perspectives; but, all are united in their interest in the sensory experience of color.
Louisiana Art & Science Museum | 100 River Road South, Downtown Baton Rouge, Louisiana 70802
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March 5, 2019
March 5 - May 14, 2019. Curated by James Little. New York Centric Catalogue.
View works by Sponder Gallery artists including Stanley Boxer, Dan Christensen, Gabriele Evertz, James Austin Murray and Peter Reginato.
Foreword by KAREN WILKIN, New York, 2019
“Too much is expected of Art, that it mean all kinds of things and is the solution to questions no one can answer. Art is much simpler than that. Its pretentions more modest. Art is a sign, an insignia to celebrate the faculty for invention.” Stuart Davis wrote this in 1956, but it seems newly relevant today. Over the past three decades, art has been increasingly required to “mean all kinds of things” and to offer solutions to “questions no one can answer,” often at the expense of any other considerations. Today, in many prestigious art schools, students who wish to be taken seriously (and, sometimes, receive acceptable grades) are urged to make work that addresses such daunting issues as political unrest, climate change, civil rights, gender equality, animal welfare, poverty, and all the rest of it....
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