BIOGRAPHY
Born in Berlin in 1915, Friedel Dzubas fled Nazi Germany in 1939 and settled in New York in the late 1940s, joining a coterie of leading young painters that included Jackson Pollock and Helen Frankenthaler with whom he shared a studio. Mostly working on unprimed canvas, Dzubas applied wide, thick strokes of paint over areas glazed in thin washes, forging a figure/ground relationship in which pictorially emphatic elements seem to be suspended before or above a murky depth. While largely nonrepresentational, even when bearing titles with which their compositions might be identified, the paintings seem full of natural forces like wind and water, and to be governed by the pull of gravity.
Associated with the second generation of Abstract Expressionism, Dzubas was a proponent of color-field painting. The worked surfaces and "all-overness’ of his painted canvases suggest that “surface-ness” is not an attribute of color but rather that color is a property of surfaces. He exhibited a preference for clear, discrete, and contrasting areas of hue in thin layers. In the 1970s, he began filling surfaces with large, rounded rectangular patches of loosely painted multi-colored strokes as if painted with a huge brush. Positioned in loose right angles, the patches vary in size, direction, and color in order to generate contours and color changes, in effect, providing pictorial "drama." Working with a quick-drying Magna paint, Dzubas shaded the color patches according to lateral extension, as opposed to being modeled in relation to contour, as a way of asserting the flatness of the canvas. Forms both define and enliven the surface; in this work, the perpetual roll of the circular format is anchored by verticals and horizontals.
1915 Born in Berlin German
1994 Died in the United States
SELECTED EXHIBITIONS & AWARDS
2013 Baker Sponder Gallery, Boca Raton, FL
2008 Leslie Feely Fine Art, New York, NY
2005 Katonah Museum of Art, Westchester, NY
2004 Jacobson Howard Gallery, New York, NY
2001 Elizabeth Leach Gallery, Portland, OR
1998 Elaine Baker Gallery, Boca Raton, Florida
Tufts University Gallery, Medford, Massachusetts
Rose Art Museum, Brandeis University, Waltham, MA,
1993 Jaffe Baker Gallery, Boca Raton, Florida
1990 Ann Jaffe Gallery, Bay Harbor Island, Florida
Gallery One, Toronto, Canada
1989 Andre Emmerich Gallery, New York, New York
1988 Rose Art Museum, Brandeis University, Waltham, MA
Harcus Gallery, Boston, Massachusetts
Garner Tullis, New York, New York
1987 Andre Emmerich Gallery, New York, New York
Nassau County Museum of Fine Art Association, Nassau County, New York
Herbert F. Johnson Museum of Art, Cornell University, Ithica, New York
Meredith Long and Company, Houston, Texas
1986 Hokin Gallery, Palm Beach, Florida
M. Knoedler and Company, New York, New York
1985 M. Knoedler and Company, New York, New York
Gallery One, Toronto, Canada
1968 National Council on the Arts
1968-6 John Simon Guggenheim Memorial Foundation Fellowship
1966 Guggenheim Fellowship for Creative Painting
SELECTED PUBLIC COLLECTIONS
California
San Francisco Museum of Modern Art
Connecticut
Aldrich Museum of Contemporary Art; Yale University Museum
Florida
Florida University
Indiana
Fort Wayne Art Museum
Iowa
Iowa State University
Maryland
Baltimore Museum of Art
Massachusetts
Boston Museum of Fine Art; Rose Art Museum, Brandeis University; Wellesley College Museum
New Hampshire
Hood Museum of Art, Dartmouth College
New Jersey
Newark Museum; Princeton University Museum; Rutgers Art Gallery
New York
Albright-Knox Art Gallery; Everson Museum of Art; NYU Art Museum;
Herbert F. Johnson Museum of Art, Cornell University
Solomon R. Guggenheim Museum; Whitney Museum American Art
Ohio
Allen Memorial Art Museum, Oberlin College
Dayton Art Institute; Tennessee Brooks Memorial Art Gallery
Texas
Houston Museum of Fine Arts
Washington D.C.
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution
National Museum of American Art, Smithsonian Institution
Phillips Collection